"A mecca for young quartet players" (Michael Tree)
"A Most important and unique learning opportunity" (Itzhak Perlman)
"Best Program of its kind... A training ground for lifemanship" (Yo-Yo Ma)
"Such a level of expertise and repertoire taht was unknown 25 years ago" (Joseph Silverstein)
THE QUARTET PROGRAM, in its 30th season, develops both individual and ensemble skills and explores group dynamics, with at least 3 hours quartet reherarsl & 3 hours solo practice scheduled daily.
SOLO:
This summer, 36 participants (in 9 string quartets) will attend QP. Last year they came from 23 states and 5 foreign countries. Attendance is for 7 weeks, or the first 3 weeks, or the last 3 weeks.
Faculty
Violin: Castleman (EASTMAN)(founder QP)
Laura Bossert (LONGY)(6th year & alum 85-9)
James Lyon (PA STATE)(7th year & alum 80-2)
Viola: Patricia McCarty (SUNY PURCHASE/BOSTON CONSERVATORY) (1st year)
David Holland (INTERLOCHEN)(11th year)
Cello: Eleibire Schonfeld (USC)(13th year)
Pamela Frame (Eastman)(7th year)
Terry King (Hartt/Longy)(3rd year)
Sonata: Charles Riener (McGill)(17th year)
Our chamber music coaches include those who have profoundly influenced young musicians for decades (e.g., Renato Bonacini and Einar Holm returning to QP for their 24th seasons) and QP alumni in prestigious groups.Alumni of The Quartet Program have won top prizes at the Tchaikovsky, Brussels, Munich, Naumburg, Leventritt and Szeryng solo concours and, in chamber groups, have won Banff, Evian, Portsmouth, Munich, Naumburg, Gischoff, Coleman, and Concert Artists Guild contests. They are represented by the principal concert managements and record companies. They are in the Angeles, Aretaria, Avalon, Brentano, Cassatt, Cavani, Ceruti, Ciompi, Dakota, Essex, Fairmont, Lafayette, Lydian, Magellan, Maia, New Zealand, Orion, Uptown and Ying quartets, the Vienna String sextet, Laurel and Lenardo trios, Ames Piano quartet, Barros Consort, Horseflies, Les Adieus, New Millenium, Tafelmusik and Tashi. They are in every major American symphony, chamber, opera and ballet orchestra, one of three on the 1st desk.
The support and cooperation QP participants offer each other is a remarkable phenomenon. In the words of Arnold Steinhardt:
"I can not think of a more worthwhile center for our musical future."
Breakfast 8:00
Quartet Rehearsal 8:45 - 10:15
4:30 - 6:00
Private practice 10:30 - 12:30
7:00 - 8:00 or 1:45 - 2:45
Lunch 12:30
Dinner 6:15
Concerts 8:00